It’s very rare that I get a chance to do police photography, although it is still a great resource. Of course, you will get more exposure if you live in a small town or a small city, but even if you live in the suburbs, chances are that you will get a chance to do police photography.
When you live in a small town or city, you will need to get out and about a lot when you do your job, or else you will get pulled over by the police. And when a cop pulls you over, chances are good that he is going to photograph you. Police photographers are generally very good at it. They are all very well equipped, they are always on the lookout for suspicious people and vehicles, and they know how to keep a good eye on everything.
If you ask the average police officer if he is on duty right now, they are going to say “no.” If you ask them if they have a camera in their car, they are going to say “no” too. A police officer is going to be extremely suspicious of someone who has their camera on their person, but he is not going to be suspicious of a camera that is a half-inch away from the lens.
Now, you could argue that there is no such thing as a camera that is a half-inch away from the lens. The world is full of cameras that are a foot away from the lens. However, that’s because we’re not talking about cameras that are at least a half-inch away from the lens. We’re talking about a camera that is so close it is practically touching the lens. I have a friend who has a camera that is a foot away from the lens.
I am constantly amazed at how much of a camera is a half-inch away from the lens. It is as though the camera is a piece of art. Its like a piece of art that doesn’t need to be used. It is a piece of art that is a half-inch away from the lens. It is a piece of art that is so close it is practically touching the lens.
I like this concept.
For a camera that is so close to the lens, it could be that if you have a camera in your pocket, you could be shooting your dog. Your dog could be in another room, or even on the other side of the room, and your camera is half an inch from the lens. So close, it could be touching the lens.
This makes a lot of sense. Dogs are very visual creatures. They do tend to look a little different when they’re engaged in the art of photography. We can’t blame this on the fact that dogs are visual creatures too. It is just that they are also very intelligent creatures. If you’re shooting some dog and you don’t want to look at it, you should be looking at something else.
The problem is that if you are shooting a dog, then you are probably looking at something else. Like a dead body. We are only talking about photographing the dog in question here. There is a difference between looking at something and looking at something that is dead. Also, this means that if you are in a room with other people, your camera is probably pointed at something else. Like a wall or a door.
Sure, you can’t look at a dog if you are a cop in a police car. But you can look at something that is dead, like a body. It goes without saying that dead bodies are better than just looking at a bunch of dog shit. It makes you feel alive.
